The Creative and Cultural Economy

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The unexpectedly most successful category on Kickstarter

If you were to guess which category on Kickstarter had the highest rate of successful funding, without peeking, you might guess "Technology" or "Film & Video." Big names like smartwatch maker Pebble and actor Zach Braff have made waves with their multimillion-dollar campaigns.

Exhibits of Montana art sought for Zoot Enterprises gallery

All work sold through the gallery is commission-free. Underwriting is provided for artists’ opening receptions.

Missoula Fringe Festival – Over 60 Live Shows – 175 Participants, 8/15-17, Missoula, Montana

Anyone can perform anything, anywhere. Anything goes.

Monte Dolack’s art brightens up Giant Springs State Park on dreary day

"I love coming here. It’s my favorite place in Great Falls," he said.

Red Ants Pants Music a rockin’ success in White Sulphur Springs, Montana

They came from as far as Mozambique, Chile, Switzerland, Malaysia, Canada and all points of Montana to converge on White Sulphur Springs for the Red Ants Pants Music Festival July 25-28.

Mainstreet Uptown Butte gets $150K NEA grant

Butte is the only place in Montana to receive a grant from the NEA this year. Mainstreet Uptown Butte organizes the annual Montana Folk Festival.

The Extractive Creative Economy – We shouldn’t ship our artists out like we do timber or coal.

This is the extractive creativity economy in action.

From country to metal, blues, and world music, Montana music festivals are growing

From Merle Haggard at the Red Ants Pants Festival to The Steve Miller Band and Blues Traveler at Magic City Blues and Tesla at Rockin’ the Rivers, there is something for everyone at Montana’s outdoor music festivals.

Businesses pitching in for Montana Folk Festival set July 12-14

"The response has been tremendous to help us reach our goal to match this challenge."

Montana Artist Monte Dolack Looks Back 20 Years

Then there’s the iconic scene of a modern bathroom overtaken by a series of mischevious ducks. It was part of a series of art posters Dolack calls "The Invaders," which featured nature and wildlife triumphing over technology and human encroachment.